PARTICIPATION
UnƧightly [Sound Poetry] included in DecaDENSE gallery show audio presentation.
Soleminejatec
This poem emerges from the layering of typewritten texts and manual typographic prints. Through this practice, visual—and above all, sound—rhythms are generated. Repetitions, layers, and marks of writing create a visual musicality that resonates with the viewer’s mouth and ear. In some cases, the superpositions are so intense that the text nearly vanishes, erasing itself in a gesture of graphic and phonetic saturation.
This process is intentional. It functions as a deliberate strategy: a simulated attempt to construct palimpsests that paradoxically prevent any reconstruction of an original version. The “first text” cannot be recovered; only the material and sonic density of the present remains. In this way, the work becomes an aesthetic field that disrupts traditional interpretation. Meaning arises not from content but from the signifier—the graphic arrangement, repetitions, textures, visual tensions, and intrinsic sonority of the words.
She is a visual artist, Master in Aesthetics and Art Theory, and graduate in Print Arts from the Faculty of Arts of the National University of La Plata, where she worked as a professor of printmaking. She founded Ilusión Gráfica, a studio focused on experimentation and typographic printing, where she creates works reflecting on communication and the power of words—their use, abuse, and limits—a search that also led her into sound exploration. She teaches workshops on typographic printing and visual poetry and created a nomadic letterpress studio that prints manually with the public at various events.
Artist Location: La Plata, Buenos Aires, Argentina
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