PARTICIPATION “Atlas Angels Gate” is a re-visitation of a performance Bach curated in 2007 featuring improvised soundtracks to a short film created from data collected on the grounds of Angels Gate Cultural Center. The new performance will sample audio and visual information from that 2007 event, along with material collected at SoundPedro 2017 and new […]
Author Archive: soundpedro.art
Glenn Bach
PARTICIPATION Performance Glenn Bach is a poet, composer, and educator. He weaves field recordings, digital audio, and analog electronics into deep mediative soundscapes. Glenn also curated the Slow Sound Festival. His major project, Atlas, serves as an infrastructure for place-based investigations and conversations. He directs the Southern California Soundscape Ensemble and records under the name […]
Faith
PARTICIPATION Cosmic Spring Field recording from around the city joined with digital synthesis, wrapped around healing frequencies conjured to reflect a transition period. Elixir Bath Field recording from around the city joined with digital synthesis, wrapped around healing frequencies conjured to explore the healing properties of water. Faith is multimedia artist working out of Long Beach, California. […]
Ethan Marks
PARTICIPATION Overgrowth is the third section of Bloom, an imagined aural response to Richard Powers’s novel, The Overstory. It is made of various inputs from around the trumpet, processed so that particular just-intuned frequencies resonate at varying, intersecting times. The work also has synaesthetic roots, as candles whose components comprise sage, lavender, grass, bergamot, violet, […]
Erinn Bone
PARTICIPATION Digital Absent of a traditional chord structure or rhythm, “Digital” moves through the ether of sound and space, creating a feeling of interstellar travel and timelessness. Intermittent samplings of analog and cybernated sounds transport the listener on a journey through the galaxies. Tropical “Tropical” is an immersive trip deep into the jungle. Sounds of rushing water, […]
Erin Demastes
PARTICIPATION Sound Shadows Proposed work as accepted for soundpedro 2020: Interface Design III This is the third iteration of my synthesizer-without-enclosure installation which consists of ten exposed circuits with light resistors. The first iteration was in a white box gallery at Calarts where viewers were able to play with the circuits with flashlights; the second […]
Eric Lennartson
PARTICIPATION Flocking Patterns Proposed work as accepted for soundpedro 2021: Flocking Patterns Flocking Patterns creates a CRT ecosystem for a small flock of virtual birds. A simple audio synthesizer patched to an oscilloscope draws a flock of birds, which interacts and changes on the screen. By using the analog oscilloscope, an obsolete piece of testing […]
Elouise Walker
PARTICIPATION In her piece, Moral Code, morse code is used as an alternative to synthesized speech for sending automated data. It is a communication method used for messages of immediacy and necessity. It is used as last resort. In this film, Morse code translates significant moral speech that has defined the moral code of our […]
Ellen Warkentine and Michael Wysong
PARTICIPATION Hidden Instruments Video is available for viewing on YouTube Hidden Instruments is a collection of word scores by LN-M (Ellen Warkentine and Michael Wysong) inspired by Pauline Oliveros, Yoko Ono, and Fluxus. These pieces are meditations and imaginary songs to perform alone or with others, right here or far far away. These are experiments in the […]
Electronic Countermeasures
PARTICIPATION Conduit is an asynchronous sound and light installation sonifying the invisible frequencies, waves, information, and exchanges occurring both remotely and within close proximity. The piece looks to invert the conventional nature of signal intelligence (SIGINT) typified by state actors capturing and analyzing waves traveling through the atmosphere for military, police, or surveillance purposes shrouded […]









