PARTICIPATION The Intangible Crowd is a field of sound in a rectangular shape, which can be located either in a somewhat remote location on the site – at a wooded area or at the tunnel – bounded by 4 PA speakers on stands. Alternatively it can be located in its own room and enclosed. The […]

PARTICIPATION the stone and the shred In this piece, a stone is allowed to drift down the strings of an electric guitar.  A guitar is placed in front of a distorted amplifier as a means of producing feedback. The body of the guitar is elevated so the neck of the instrument is diagonal to the […]

PARTICIPATION Performs as part of Synthlab. Jesse Nason is a California native that has been playing keyboards and drums in various bands in the OC/LA area, including Deccatree, AM and currently with Perfect Beings. He is a collector of sounds, and modular is the next target on the checklist. Some of his influences for synth […]

PARTICIPATION Dark Ride, San Pedro Sonic SpaceSound, not unlike water, seeks to fill empty space. It enters, swirling, progressing outward, reflecting off surfaces, until it displaces the air with living, sonic vibrations. Sound has unique qualities that make it a particularly fascinating medium to manipulate. Sound is not just heard, it is felt, often provoking […]

PARTICIPATION 911 Proposed work as accepted for soundpedro 2021: 911 I was on my way to work at my studio at 8:30 in the morning. It’s not a long drive, but by the time I arrived just 15 minutes later, the world had utterly changed. It was September 11th, 2001. I had been hired the […]

PARTICIPATION [SOUNDSCAPTION: Self-quarantine] [SOUNDSCAPTION: Self-quarantine] Does listening require sound as an external stimulus? “[SOUNDSCAPTION: Self-quarantine” is created to trigger sonic imagery that plays an important part in an active listening. It exhibits soundscape of the creator’s self-quarantine at home during the COVID-19 pandemic. With no audio, it explores the use of closed-caption (CC)—an element of accessibility […]

PARTICIPATION “Ambulante” , will target themes such as : construction, deconstruction, still, movement, form, structure, language, aesthetics, mutation (audible and or visual), and identity. In particular this piece hopes to use utilize language and its implications ( social, political, and econmic) to convey how cross culturing, breeding can affect and deconstruct the formal cultural values […]

PARTICIPATION The Age of Not Believing Jamie Mc is a playful poet, accomplished actress, dynamic theatre director, inventive photographer, and a wandering work-in-progress. Artist Location: Harare, Zimbabwe Social Media:

PARTICIPATION J3M5 (live PA) J3M5 is a experimental live PA of glitch, rythmic noise and dubtronics. The circuit bent practice explores technical integrations with stereo effects, extensive midi, CV and modified hardware. Over eighty live PA performances include International Noise Conference (Miami), Substation (Singapore), NorCal Noise Fest (Sacramento), Jogja Noise Bombing (Indonesia), Honor Fraser Gallery, […]

PARTICIPATION Outside Tatum is a piece in an ongoing series of improvisations using live electronics to process and loop field recordings. These improvisations treat environment sounds as artistic co-creators rather than sounds separate from “music,” aiming to improvise with the natural soundscape in which the composer finds himself. All of the electronic processing was performed […]