PARTICIPATION sound poetry radio & video A special program of sound poetry presentations curated by and featuring Tim Gaze. Starting his creative career as a writer and poet in the 1990s, Tim has worked in short fiction, conventional poetry, visual poetry, asemic writing, abstract comics and sound poetry. His albums include Shapes https://post-asemicpress.bandcamp.com/album/shapes, Neo http://another-records.blogspot.com/2010/11/ahr010-tim-gaze-neo.html, Exeter Hotel Sound […]
Author Archive: soundpedro.art
Tim Feeney
PARTICIPATION Resonant Spaces is a series of installation works using resonant “speaker-objects” built by attaching small speakers to snare drums. The sounds of these hybrid electronic and acoustic instruments activate the resonant frequencies of their locations, delineating the physicality of a surrounding environment defined by architecture and materiality. Previous pieces in the series engaged aspects […]
Tim Feeney
PARTICIPATION Whitney Canyon . Proposed work as accepted for soundpedro 2020: An extension of immutability I will build six speaker objects from sheets of 2’x4′ plywood, preparing each with a small speaker element and amplifier. Each plywood speaker cycles through sounds, including crackling and 60-Hz hum, abstracted from those made by high-tension power lines. These […]
Tim Feeney
PARTICIPATION soundpedro 2021 participation: N/A Proposed work as accepted for soundpedro 2021: Four sunsets If installation, single-channel video, 1280×720, rear-projected onto wooden window frame prepared with parchment paper; stereo sound via portable speakers.If festival is online only, video of said setup.Included: single-channel video via YouTube; photos of window frame projection screen; test of video projection…..Four […]
Tim Feeney
PARTICIPATION Glazing describes a process of polishing sand or stone via fire and extreme heat. Two or more stations along the walking paths throughout Angels Gate, as best fits among the others in the park, using one or more of the following: One speaker-object, assembled from a wooden box prepared with audio exciters and filled […]
Thomas Zear
PARTICIPATION Zear presents two pieces at soundpedro. instasoundgram2017 is a Interactive, self-sustaining soundart piece. Every SoundPedro visitor has the control to this sound piece. Via Instagram, there are a collection of posts (soundvideos) to view and listen to at your convenience as you travel the event. Imagine the broad scape of this idea being executed during […]
the2vvo (Lena Pozdnyakova and Eldar Tagi)
PARTICIPATION Liquid Communication the2vvo is an artist duo based in Berlin, Germany, made up of Eldar Tagi (sound**) and Lena Pozdnyakova (architecture/sculpture*). As part of their interdisciplinary artistic research, artists explore the complicated dynamics between the objects, spaces and sound through recordings, acoustic sculptures, and live audio-visual performances. Artist Location: Berlin, Germany Social Media:
the2vvo
PARTICIPATION Mescalito’s Whistle . Proposed work as accepted for soundpedro 2020: the temple of para-sonic activities Throughout the history, mankind expressed the relationship with the surrounding world through formal language and abstraction. The remarkable artifacts of these translations were often born in the moments of tension and even pain. Such ornaments often took forms of […]
the2vvo
PARTICIPATION Circumstances (etude#2) is an installation that takes a form of a responsive noise sculpture situated within a space. Audience is both observing and influencing the behavior of the sculpture’s fragile form correspondingly affecting the sound output. This piece is second in a series of sound studies related to material behavior and causality of environment […]
The Silverduckling
PARTICIPATION Love Birds Live Sample Incantation No. XVI Proposed work as accepted for soundpedro 2020: Touring the Themes of Life Patrons enter dark/dimmed room and view static visual elements accompanied by serene and passive sonic textures. The environment is activated by the artist in real-time through musical instruments that control cues inside of the visual […]