PARTICIPATION Overgrowth is the third section of Bloom, an imagined aural response to Richard Powers’s novel, The Overstory. It is made of various inputs from around the trumpet, processed so that particular just-intuned frequencies resonate at varying, intersecting times. The work also has synaesthetic roots, as candles whose components comprise sage, lavender, grass, bergamot, violet, […]

PARTICIPATION Digital Absent of a traditional chord structure or rhythm, “Digital” moves through the ether of sound and space, creating a feeling of interstellar travel and timelessness. Intermittent samplings of analog and cybernated sounds transport the listener on a journey through the galaxies.  Tropical “Tropical” is an immersive trip deep into the jungle. Sounds of rushing water, […]

PARTICIPATION Sound Shadows Proposed work as accepted for soundpedro 2020: Interface Design III This is the third iteration of my synthesizer-without-enclosure installation which consists of ten exposed circuits with light resistors. The first iteration was in a white box gallery at Calarts where viewers were able to play with the circuits with flashlights; the second […]

PARTICIPATION Flocking Patterns Proposed work as accepted for soundpedro 2021: Flocking Patterns Flocking Patterns creates a CRT ecosystem for a small flock of virtual birds. A simple audio synthesizer patched to an oscilloscope draws a flock of birds, which interacts and changes on the screen. By using the analog oscilloscope, an obsolete piece of testing […]

PARTICIPATION In her piece, Moral Code, morse code is used as an alternative to synthesized speech for sending automated data. It is a communication method used for messages of immediacy and necessity. It is used as last resort. In this film, Morse code translates significant moral speech that has defined the moral code of our […]

PARTICIPATION Hidden Instruments Video is available for viewing on YouTube Hidden Instruments is a collection of word scores by LN-M (Ellen Warkentine and Michael Wysong) inspired by Pauline Oliveros, Yoko Ono, and Fluxus. These pieces are meditations and imaginary songs to perform alone or with others, right here or far far away.  These are experiments in the […]

PARTICIPATION Conduit is an asynchronous sound and light installation sonifying the invisible frequencies, waves, information, and exchanges occurring both remotely and within close proximity. The piece looks to invert the conventional nature of signal intelligence (SIGINT) typified by state actors capturing and analyzing waves traveling through the atmosphere for military, police, or surveillance purposes shrouded […]

PARTICIPATION Moments (Excerpt) Moments Proposed work as accepted for soundpedro 2020: Shuttle Audioscape Moments, audio excerptand Earmaginations Silent video Moments, video excerpt Originally performed in October 2018 at Locust Projects in Miami, Florida as part of the “20/20” event that celebrated the 20th anniversary of Locust Projects by hosting 20 consecutive hours of hour long performances. The […]

PARTICIPATION Gallery show, May 13 – June 17: Onomatopoeia For this exhibition I wish to explore the idea of onomatopoeia, the use of words to describe sounds, expanding this concept to use imagery to describe sound. Using a Cybernetic Model KB 20 digital display, words such as “bang”, “pow” and “zing” scroll by in relation […]

PARTICIPATION O as in OzoneOn the first weeks of quarantine, the sky opened in Los Angeles and it rained. We stayed indoors, while it poured, and waited for the city to open back up. During this collective time inside, we’ve given the earth and the ozone holes time and space to heal. Scientists are currently […]