SynthLab

SynthLab

PARTICIPATION SynthLab Video Concert SynthLab is starting a monthly series of Video Concerts. This will be original video and sound tracks created by SynthLab artists. The first Video Concert is part of soundpedro2020schizophonia. SynthLab Artists: univacA consummate TechDweeb, visual artist and novatone “musician” univac continuously re-purposes the detritus of trickle-down technology and off-the-shelf toys and […]

SynthLab

SynthLab

PARTICIPATION SynthLab Audio+Video concert. SynthLab Artists: Christina Wilson Christina Wilson has a degree in Vocal Performance from Bob Cole Conservatory of Music at California State University, Long Beach. She has sung with the ‘Pacific Chorale’, ‘Vox Femina’ and is a founding member of the, ‘Honey Whiskey Trio’. She also performs with the a cappella group, […]

SynthLab

SynthLab

PARTICIPATION An evening of electronic and experimental music from SynthLab. A presentation by several performers in the Battery Theater: Cameron Johnston, Cannibalistic Caterpillar, Faraday Cage, Jesse Nason, Putney Swope – Joseph Silva, Qrux, Rychard Cooper, Tobias Banks and José Solares, and visuals by univac SynthLab Artists: Cameron Johnston & Clint KoehlerCameron Johnston is a composer, […]

SynthLab

SynthLab

PARTICIPATION SynthLab Using a large array of analog and digital electronic, SynthLab creates a continuous soundscape, ranging from quiet ambiance to harsh experimental noise. SynthLab Artists: Faraday CageMatt Pogue has been wrangling electricity with his guitar for three decades. Now he does it with other machines as well.Co-founder of SynthLab univacA consummate TechDweeb, visual artist […]

Susan Rawcliffe

Susan Rawcliffe & Corrado Gong

PARTICIPATION Improvisations & Brief Eupneic Response “I had the pleasure of collecting, what are essentially field recordings of Susan, inside her studio, activating her beautiful instruments. I wanted to respect these gathered sonifications by leaving them pretty much intact. My contribution is a short, hopefully unobtrusive, response based on the staccato of her breath catches […]

Susan Rawcliffe

Susan Rawcliffe

PARTICIPATION Gallery show, May 13 – June 17: MOLECULAR CONNECTIONS for 4. Each of the 4 hollow roundish forms on top is connected to one of 4 lower ovaloid hollow forms. Underneath & in the middle of the 4 hollow ovaloid forms, each hides a whistle. The 4 roundish forms on the top have an […]

Susan Rawcliffe

Susan Rawcliffe

PARTICIPATION Sound Touchings: Didjeridus Maximum 10 for each didjeridu visceral experience. When I wanted more low tones in my life, I learned to play the didjeridu. I’ve performed widely on my adjustable, light weight instrument, including the creation of several performance didjeridu/dance pieces. At SoundPedro 2019, we will sit in a circle & participants will […]

Susan Rawcliffe

Susan Rawcliffe

PARTICIPATION Susan Rawcliffe makes, plays and research clay musical instruments: flutes, pipes, ocarinas, whistles, trumpets, didjeridus, and sound sculptures. Wanting to build a better flute, she began my research into the sounds and forms of archaic ceremonial flutes from prehispanic meso-American cultures, including West Mexican, Olmec, Mayan, and Aztec. Making acoustical studies of ancient flutes […]

Susan Rawcliffe

Susan Rawcliffe

PARTICIPATION Rawcliffe will have multiple person sound sculptures available for participants to play. Visitors can experience sounds moving through their heads during a fantastic sonic experience blowing combination tone whistles in a small group. In another small group, they can try pre-hispanic chamber-duct flutes inspired by Aztec or Mayan or Olmec pieces, and more! Three […]

Steven Speciale

Steven Speciale and his Loyola High School Students

PARTICIPATION Turntable Circus Presenting 30 Loyola High School Music Appreciation students with their projects. In the manner of John Cage’s Musicircus, we will install and perform sound art around the theme of records and turntables. Students will perform abstract turntablism pieces throughout the evening. Surrounding and defining the performance space will be at least four […]