PARTICIPATION Nomad’s studio is whole planet. Sorry to say but since in nomad mode I don’t really have a studio any more, so my very concept of sound activity has changed. Bored of playing loud fast beats or aggressive arpeggios, the artist reconsiders everything we know about “music”. No rehearsal, no separating from the world […]

PARTICIPATION Performance: Spacialized sound performance/installation with art. Based on the recent recording of Live at the Lube Room, I wish to recreate a live audio environment based on electronic sounds generated from various instruments, that will be automatically placed in dynamic locations in a stereo field. The sound generation is both activated by live player/players […]

PARTICIPATION Requiem: GDB Lamppost SWXX “Lamppost SWXX” is a field recording taken on the old Gerald Desmond Bridge in Long Beach in October of 2013, a few years before its demolition. A contact microphone was placed on one of the galvanized steel lampposts near the west end of the bridge, right next to the roadway, […]

PARTICIPATION SNR II SNR is the acronym for Signal to Noise Ratio which in electronics and engineering is a numerical quantity that relates the power of the useful signal to that of the noise in any information processing system. SNR is a series of acousmatic compositions that explore the relationship between sound and noise in […]

PARTICIPATION Installation: Blue Peril Sonification is a multimedia experience and environmental advocacy work that demonstrates the massive ecological dangers and destructive effects of deep-sea mining. The audio-visual installation highlights the gravity and utter devastation to the environment and sea life in the Pacific and its impacts on neighboring islands including Hawaii. The design of this […]

PARTICIPATION The Ice Remembers A granular meditation on loss. Chad Eby creates work, by turns stark and whimsical, that explores humanity’s fraught relationship with made objects using sound, light, and digital tools. He is fascinated by the complex relationships between digital and physical objects and between artists and autonomous art-making systems. He has never had […]

PARTICIPATION The Comfort of my Mother Tongue TCOMMT is a 7 minute video projection that takes two phrases and translates them into 7 different languages, superimposing the text oved abstract black light videography. The goal is to build a sense of empathy and understanding across languages/cultures. Carlos Eduardo Gacharná is a sculptor and an immigrant. […]

PARTICIPATION Performance: An Aural Flux A live performance of improvised sounds featuring an array of analog electronics. Abstract sounds collide and collapse in a non linear exploration of sound and mind.  Carlos Amaya is an experimental noise artist based in Southern California.  Carlos works with analog electronics to create an abstract free form listening experience […]

PARTICIPATION Seafood City / Island Pacific An amalgamation of field recordings from various Filipino grocery stores specifically Seafood City and Island Pacific in Los Angeles that highlight the life and abundance of ethnoburbs and immigrant enclaves that make this a great sanctuary city. Camille Nibungco is an queer Filipinx-American electronic musician and designer based in […]

PARTICIPATION Installation: Anthesizer IV, ‘Ant’ + ‘Synthesizer,’ transforms ant activity into a dynamic soundscape and LED sequence, offering insight into complex ant communities. Embedded optic sensors trigger captivating light and sound interplays as ants traverse the pathways. Jiwoo Song (BFA1, Fine Art) enhances the installation with solder objects, symbolizing ant colony connectivity and accentuating nature-technology […]