PARTICIPATION Espejo – Metal – Liquido This work seeks to pose a psychonoric state of reflection with otherness, in which one sees oneself represented. One’s own nature revealed, reversed, transformed in the encounter with another, where there is reflection. A curvature and mirage where light transforms and adapts forms in a special way. Perception and […]

PARTICIPATION Theta grows as a sound that takes care of itself, takes energy and transform it, changes shape, moves towards entropy but returns on its centrality as a founding element of its acoustic life. The path that it takes could be direct or indirect but the thing that characterizes it is the return to life. […]

PARTICIPATION Cold Breath It was one of those hot, endless nights. The cabin, deep in a silent forest, should have been a refuge, but something kept me awake. Not the insects or the wind—it was her, wheezing in the kitchen like a wounded animal. I struggled to sleep. The soundscape was dominated by her holy […]

PARTICIPATION Still (moving) life II is a silent video that elaborates the still life tradition through the use of moving images. This is the second work in a series of videos dedicated to filming flowers, plants and trees observed on different time scales. Their slow or fast movement becomes the object of observation by the […]

PARTICIPATION Blue Peril Sonification #3 The deep ocean poses formidable challenges for its spatial and visual representation, which the mining industry exploits by claiming its mining operations will be environmentally friendly. To counter the mining industry’s greenwashing, INTERPRT analyzed data shared by marine biologists to simulate mining footprints and then collaborated with an oceanographer to […]

PARTICIPATION Haar and Brume is a site- and situation-responsive outdoor sound installation that envelops participants in a shifting sonic atmosphere. Comprising 20–26 lighted objects, each housing a small, battery-powered speaker, the piece generates a dense, rolling wave of sound that mirrors the experience of coastal fog. The installation plays recordings of variations of pink noise—brushes […]

PARTICIPATION Casioshack 2025 is a long form ensemble performance piece that employs technology and acoustics for setting sound in an environmental location. The performing members and automated instruments create a sonic texture that evolves over the hours of presentation, including interaction with the environment, audience, and each other. Visual elements will also be included in […]

PARTICIPATION Cannibalistic Caterpillar VS Cantilever Collective Cannibalistic Caterpillar (sound) will utilize live FM/AM/SW/VHF radios, tape machines, theremins, motion sensors, and FX pedals to interact with live contact improvisations by Cantilever Collective (dance). Wireless motion sensors worn by the dancers will directly effect the sounds presented by Caterpillar, which can passed to wandering audience members. Cannibalistic […]

PARTICIPATION Water Cycle is an exploration of sound and play that is comprised of Bicycle powered water fountain, house plants, and electronic sound amplification. The sounds of the water flowing over the various surfaces and plants in the fountain will be recorded by contact microphones and augmented through a sound pedal deck capable of looping […]

PARTICIPATION gTEXT_V_QAL A sequel to 2024’s release, gTEXT IV QAL, gTEXT V QAL seeks to transport its listeners to a different time and place, utilizing techniques both ancient and modern. Jed Smith in an Emmy nominated composer of music of film and television. He seeks to explore the limits of sonic space with innovative immersive […]