PARTICIPATION displaced is a concert of premieres of new works exploring the technical and socio-relational elements of telematic performance. At the beginning of the pandemic, musicians were forced online for telematic collaboration and performance (music performed live and simultaneously across geographic location via the internet). Due to the inherent delay involved, music that is rhythmically […]

PARTICIPATION soundpedro 2021 participation: N/A Proposed work as accepted for soundpedro 2021: LAEE: The Los Angeles Electroacoustic Ensemble Performance options:1. An improv set (variable duration), using a combination of acoustic instruments, laptops, and modular synths.2. A set of live performances and/or video adaptations. The Los Angeles Electroacoustic Ensemble (LAEE) is primarily a laptop quartet, but band […]

PARTICIPATION Poison Tree Our original proposal did not translate to video, but this is part of a different project that we present instead, which is related to Covid-19. The idea behind this piece originates from the poem by William Blake, “Poison Tree,” which describes how neglect of something relatively harmless (in the case of the […]

PARTICIPATION soundpedro 2020 participation: N/A Proposed work as accepted for soundpedro 2020: Whipping Willow This display is composed of a large number of near-vertical fiberglass thin rods, spread similar in formation to a Fountain Grass plant. On the end of each rod is a whistle of various tunings. The group of rods are spun as […]

PARTICIPATION Wailing Willow This display is composed of a large number of near-vertical fiberglass thin rods, spread similar in formation to a Fountain Grass plant. On the end of each rod is a whistle of various tunings. The group of rods are spun as a whole via a quiet motor, with just enough speed to produce […]

PARTICIPATION Pace Babbling xThis piece is a reflection of feelings of seasonal shifts – inspired by “Race Babbling” by Stevie Wonder. A mix of babbles over the time with videos that were crafted when communicating how I process information received from various experiences. It features me babbling and an instrumental titled “House Shoes Blues” by […]

PARTICIPATION Performance in the SynthLab room. Loren Nerell has a richly varied musical background including research into analog synthesis, and the micro-tonal techniques of Harry Partch, complemented by his studies in Anthropology and Ethnomusicology.-Sam Rosenthal (Prokekt Records)

PARTICIPATION Interface Response Sonification (IRS) is an interactive set of paintings hung ‘Salon-Style’ which can be operated via a stylus to activate tones at various points across the paintings to produce unique tones. IRS operates much like a Stylophone and is meant to be played by drawing both visual and melodic connections. The ‘player’ is […]

PARTICIPATION Coral Sea Dialogues Coral Sea Dialogues is a sound installation spatialized throughout the tunnel passage connecting the entry way near the Angel Gate barracks to one of the emptied gun site / battery area. The audio sources are played back voice recordings reproduced in a neutral, gender and age-free tone of civilian accounts. They […]

PARTICIPATION Performs as part of Synthlab. Kitty Spit is a well-known live performer in the underground modular synthesizer scene in LA. Kitty Spit aka Skyler King is a life-long multi-instrumentalist (guitar, drums, bass & keyboards), who fell in love with electronic music at a young age, inspired by his father. Growing up playing with drum […]