PARTICIPATION Instantaneous Flux is an exploration of “unplanning.” It is a sonic inquiry into what happens when a creator relinquishes control to the environment. Rather than presenting a finished work, this project offers a real-time response to the atmospheric, physical, and social conditions of the space as they exist in the immediate present. The project […]
PARTICIPATION For Yves, After Hiroshi is a sound installation about perceived time, inspired by the feelings the paintings of Yves Tanguy inspired in me. It began as a piece of music for harp, clearly (but unconsciously) drawing influence from Hiroshi Yoshimura’s music. As the material was extremely spare and simple I realized it would lend […]
PARTICIPATION Voices on the Line A dozen or so unique, vintage analog telephones sit on picnics blankets on the grass, each connected to a special, private phone network. Corporate office technology, now available as free software becomes both a toy and an audio encyclopedia. Pick up a receiver, dial a number and you might reach […]
PARTICIPATION Dymaxion Corp.: Muzak For Fuselage An array of metal tubes, panels and other shapes mounted, suspended or otherwise arranged excited to resonance by physical and electric force via transducers, magnets, solenoids and or motors using sound sources as the excitation signals which are playback of pre-recorded and asynchronously looping material or on-site live generated through synthesizers […]
PARTICIPATION ALLOSTATE: An extension of Matthew’s previous SoundPedro performance ‘Underneath’ – Allostate is an installation that will allow listeners to draw their attention further inwards – reflecting on the passage of time & our perception of this phenomena, in light of this year’s theme – TIN. This performance will be instrumental, incorporating samples, found sound, […]
PARTICIPATION A new quadraphonic live synthesis collaboration by Matt McBane and Ian Dicke. The duo creates and explores textures on two modular synthesizer setups which speak to each other through CV and then disperse the sound across 4 channels. Additional textures are created with Matt’s violin through effects. This a new duo project between Matt […]
PARTICIPATION Wind Chimes transducers—referencing the “angelic” and “peaceful” outro. Catching low-velocity breezes to produce the “tinkle” and “whispering” sounds described in the lyrics. Visuals: The chimes would be near-translucent, appearing to “breathe” with the wind. Mechanism: When a threshold of light is hit, the strikers hit dissonant metal tubes referencing the “angelic” and “peaceful” outro. […]
PARTICIPATION Refined Chaos of the Hueman, Burning in the Flame Our Installation is a mix of Soundscapes and Visuals interwoven from Past, Present and Refined Chaos. The Echos of What We Experience as the Hueman defined by the Flame Burning from Within. Know Más Generation is a collective that lives in the spaces between “knowing […]
PARTICIPATION glitches: in the water, explores the connection between visual and sound. A sample of Reflets dans l’eau by Claude Debussy is used on the modular synthesizer to create generative drones. The modular synthesizer is integrated with a computer to make projected visual images audio reactive. Kevin Chan is a LA-born and raised artist. He […]
PARTICIPATION Oversound (sonic bath at Angels Gate) Oversound, a Sonic Bath Installation is a collaboration between sound artist and musician Kayla McIntyre and filmmaker David Kelley. Combining live accompaniment, field recording, foley, synth, documentary video, and photorealistic AI-generated sequences, the work takes the form of a fractured sound bath where city and sea meet in […]