PARTICIPATION rumb-l Traveling through the origins of sounds from lightyears away to now. A multidisciplinarian. Artist Location: Los Angeles, CA

PARTICIPATION Falling Strung across a room corner with a tall window, three large square pieces of organza in cyan, magenta, and yellow are layered in front of each other. The artist walks behind the fabric, then lifts and folds the last layer into a triangle, revealing two new colors before tossing the fabric over the […]

PARTICIPATION Conversation w/ a Phone is a sound performance piece meant to be an exploration of the relationships we have with our electronic devices, which we usually do not question too deeply. The piece uses an electric guitar and an amp as a means of transmitting signals from a variety of devices and objects to […]

PARTICIPATION RED Red is inspired by cultural associations of danger with the color red. YELLOW Yellow was inspired by the observed behavior of the sub atomic particles produced in particle accelerators. After a collision between the accelerated test particles, new particles appear, scatter in all directions, and disappear. Julius Bucsis is a multiple award-winning composer, electric […]

PARTICIPATION soundpedro 2021 participation: N/A Proposed work as accepted for soundpedro 2021:Zero-Material Performance is a phenomenological exploration of listening and sound creation using only the human body. The work is focused on the physical sensations of the wind on the face, specifically the resonances that can be created and perceived when the relationships between the […]

PARTICIPATION Enigma n^2022 is a philosophical poetry and music toy for musicians, poets and philosophers from the age of 7 up. It’s voice-based interactive granular synthesis + color music + digital poetry. The audio, which is listenable for hours, is nonetheless all sampled from a 5 second recording of the word ‘meaning’ spoken backwards once, […]

PARTICIPATION The Intangible Crowd is a field of sound in a rectangular shape, which can be located either in a somewhat remote location on the site – at a wooded area or at the tunnel – bounded by 4 PA speakers on stands. Alternatively it can be located in its own room and enclosed. The […]

PARTICIPATION the stone and the shred In this piece, a stone is allowed to drift down the strings of an electric guitar.  A guitar is placed in front of a distorted amplifier as a means of producing feedback. The body of the guitar is elevated so the neck of the instrument is diagonal to the […]

PARTICIPATION Outside Tatum is a piece in an ongoing series of improvisations using live electronics to process and loop field recordings. These improvisations treat environment sounds as artistic co-creators rather than sounds separate from “music,” aiming to improvise with the natural soundscape in which the composer finds himself. All of the electronic processing was performed […]

PARTICIPATION How to Desensitize: Attempt One Audience member individually sits in a chair and is given headphones and a button to press (a la jeopardy). When the button is hit, an aural explanation begins. “The following audio may be intense. Too intense even. If you find yourself needing a break, press the button again and […]