PARTICIPATION Worked landscape Hearing in open and small spaces – hypersensitivity & amplification, nature & mechanical noise. Sounds from bathrooms, rivers, meetings, woodlands.   Grace Shannon is a musician based in San Pedro. She is studying Environmental Science & Policy at California State University Long Beach with interests in geology, sustainability, and environmental justice. Her […]

PARTICIPATION Performance: Electronic soundscapes generated Noise Bath, with synthesizers and laptop. Utilizing virtual synths, combining deep listening exercises, critical discourse, and collaborative sound art. George Sarah is a Electronic composer and multi-instrumentalist. Born in Seoul, South Korea, he moved to the USA at the age of five. He has garnered critical acclaim for his unique […]

PARTICIPATION Sonidero Colombiano All sounds were recorded in Cartagena and Bogota by Galo Durán. Sound artist based in CDMX / Mexico city. Since 2002 makes music for films projects. Artist Location: Mexico City, Mexico Social Media:

PARTICIPATION Concrete Study Remix Remixed concrete music made with a woodblock, tablespoon, and Tupperware container. G Douglas Barrett is an artist, composer, and scholar. His music and artistic work has been discussed in Artforum, The Wire, Postmodern Culture, MusikTexte, and Guernica. Artist Location: Syracuse, NY Social Media:

PARTICIPATION Performance: Building Notation This piece uses the concept of architecture as a generator of sound. The layout of Angels Gate campus, in conjunction with chance elements introduced during the performance, will direct the duration, timber, texture, and general quality of sounds produced with stringed instruments, amplifiers, analog synthesizers, and the human voice. Size and […]

PARTICIPATION Performance: VESSEL “A secure and pleasant vessel, carrying inside it a disaster retold”  Olga Ravn, The Employees VESSEL is a long-form performance installation for trumpet, mutes, speakers, fixed media, and feedback.  Traditionally, the constant airflow required to play the trumpet is so taxing that the instrument can typically only be played in short bursts. […]

PARTICIPATION Performance: Amber Sounds A common thread that runs through much of my work is the exploration of limits and boundaries. In particular, the realms of computing and human perception. In this vein, “Amber Sounds” is an exploration in the relationship between human memory and extreme duration. Using drones, ornate textures, and intricately detailed sounds, […]

PARTICIPATION Installation: Bug Tag / How to Build a Meadow Bug Tag is a played when a micro-radio transmitter sends out cricket field recordings. The space will be filled with 25-30 radios (battery operated and wall plugs) and viewers and participants will be invited to tune the radios to the station transmitting the cricket recordings. […]

PARTICIPATION A wire stretched taut over the hook intestine is bowed by a gay swamp monster/hunter. The instrument is full moon marked with solstice fire charcoal. It growls. Twisted in the moss fur are the coils shared between human and grizzly – a walking DNA rope. Bees cling to the straps, buzzing the way. They […]

PARTICIPATION Installation: Material Feedback LoopFeedback is a phenomenon that occurs when the output of something returns to its input. I think about the feedback of materiality in the world. Sites of material as origins and destinations and the wall of sound that those circuits manifest. The Port of Los Angeles is a resonator. A receiver […]